How To Set The Perfect Monitoring Levels For Your Home Studio?
How To Set The Perfect Monitoring Levels For Your Home Studio
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1. You first need to decide what digital level you want to mix to. If You’re mastering audio for streaming platforms you might calibrate to around -14LUFS. If you’re making club music you might choose a figure closer to -9LUFS.
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2. Now you’ll need a pink noise file for the calibration. The pink noise file should match the level you chose in step 1. The pink noise produces an equal amount of noise across the frequency spectrum. If you have an untreated room, you can restrict the pink noise to 500Hz-2kHz to minimize low-frequency standing waves or reflections. Open up a test oscillator in your DAW and select the pink noise setting. You can use LEVELS to adjust the pink noise to the ideal LUFS value of your future music projects.
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3. An SPL meter is now needed to measure the acoustic sound-pressure level produced by your monitors. You’ll need an SPL meter with a C-weighted filter option, which is flatter than the A-weighted response which is commonly used for general measurements. The SPL meter will also need a ‘slow’ or ‘averaging’ mode. These can be picked up for around £15/$20 on Amazon. Some phone apps can also be surprisingly accurate.
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4. Now you need to work out at what volume you want to listen to your audio in your studio. Most home studios are smaller than 142 cubic meters, so 73-76dB SPL C is a more appropriate target. ——————
5. Now we bring everything together, play the pink noise file and adjust the monitors to match the ideal reference level for your studio. Let’s say you wanted to master audio to -14 LUFS and you had a small home studio between 42 and 142 m³. You would want the -14 LUFS pink noise file to sit at around 76dB SPL (C).
—————
1. You first need to decide what digital level you want to mix to. If You’re mastering audio for streaming platforms you might calibrate to around -14LUFS. If you’re making club music you might choose a figure closer to -9LUFS.
——————
2. Now you’ll need a pink noise file for the calibration. The pink noise file should match the level you chose in step 1. The pink noise produces an equal amount of noise across the frequency spectrum. If you have an untreated room, you can restrict the pink noise to 500Hz-2kHz to minimize low-frequency standing waves or reflections. Open up a test oscillator in your DAW and select the pink noise setting. You can use LEVELS to adjust the pink noise to the ideal LUFS value of your future music projects.
——————
3. An SPL meter is now needed to measure the acoustic sound-pressure level produced by your monitors. You’ll need an SPL meter with a C-weighted filter option, which is flatter than the A-weighted response which is commonly used for general measurements. The SPL meter will also need a ‘slow’ or ‘averaging’ mode. These can be picked up for around £15/$20 on Amazon. Some phone apps can also be surprisingly accurate.
——————
4. Now you need to work out at what volume you want to listen to your audio in your studio. Most home studios are smaller than 142 cubic meters, so 73-76dB SPL C is a more appropriate target. ——————
5. Now we bring everything together, play the pink noise file and adjust the monitors to match the ideal reference level for your studio. Let’s say you wanted to master audio to -14 LUFS and you had a small home studio between 42 and 142 m³. You would want the -14 LUFS pink noise file to sit at around 76dB SPL (C).
Source: https://www.masteringthemix.com/
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